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History of the Low Countries --- book review --- joyous entry / Filips II --- Philip II [King of Spain] --- Antwerp
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History of civilization --- influence --- triumphal arches [memorial arches] --- joyous entry --- anno 1500-1599 --- Genoa --- Antwerp
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The ephemeral art of festival, popular in the 16th and 17th centuries, was created for public events, such as triumphal processions, weddings and court funerals. Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of the event, but as soon as this was over, these extravagant constructions were dismantled and their individual components ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper. One of the most celebrated such festive events was that of the 1599 Antwerp Triumphal Entry of Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain, the new Spanish governors of the Netherlands. This study offers a new approach to an analysis of the art of such events, based on Bochius' book: 'The Triumphal Entry of the Archdukes Albert and Isabella'.
Ceremonial entries --- Entrées (Cérémonies) --- History --- Sources --- Histoire --- Entrées (Cérémonies) --- joyous entry / Albert and Isabella --- Albert & Isabella [Archdukes] --- Festivals in art. --- Processions in art. --- Prints, Flemish --- Bochius, Joannes, --- 394 "15" --- 791.6 --- 76 <493> "14/16" --- Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- Ritueel. Openbaar leven. Maatschappelijk leven. Banketten. Volksfeesten. Carnaval. Spelen. Dansen. Optochten. Jaarmarkt. Kermissen. Ruiterfeesten.--?"15" --- Feestelijkheden. Publieke feesten --- Grafische kunsten. Grafiek. Prentkunst--België--15e-17e eeuw. Periode 1401-1700 --- 791.6 Feestelijkheden. Publieke feesten --- 394 "15" Ritueel. Openbaar leven. Maatschappelijk leven. Banketten. Volksfeesten. Carnaval. Spelen. Dansen. Optochten. Jaarmarkt. Kermissen. Ruiterfeesten.--?"15" --- 949.3.022 Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- Festivals --- Processions --- Themes, motives. --- Albrecht, --- Isabel Clara Eugenia, --- Belgium --- 949.3.022 --- iconography --- Iconography
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In Flanders, the Entry of a new ruler into one of the cities of his domain (Joyeuse Entrée) transformed the urban landscape into a visual pamphlet an opportunity to lay out the most urgent needs, hopes and demands of the people through a series of ephemeral monuments and civic ceremonies. The triumphal procession of the Archdukes Albert and Isabella into Antwerp in 1599, was likewise used by the city and by the creator of the pageant, humanist and city secretary Johannes Bochius, to lay out the main concerns and worries of their time. The article focuses on two of the monuments and the two ceremonies of oath taking in order to reveal the use of the pageant's structure as a 'progressing viewing experience'. The consideration of the viewing order reveals not only the strive for peace and the call to establish a self-governmental system under the rule of the new governors, but also the political thought of the time and the surprising demand to establish a mixed government, containing the fundaments of aristocracy and democracy within the monarchic rule of Spain.
politieke geschiedenis --- joyous entry / Albert and Isabella --- Albert & Isabella [Archdukes] --- anno 1500-1599 --- Antwerp
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The Sides of the North is dedicated to Yona Pinson's extensive scholarly work on Northern Renaissance art, from Hieronymus Bosch's and Peter Breughel's oeuvre, through lessons of morality, the Fool's imagery, gender problems in the representation of the "femme fatale" bourgeois seductress, to emblem studies, and up to her most recent project on "Mirror, Moralization and Irony" in Bosch's painting. In tribute to her research, this volume offers new insights into her fields of interest from a number of leading scholars in these disciplines. Larry Silver reconstructs a recently found Adoration of
Art, Renaissance --- Renaissance art --- Art --- Festschriften
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